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Mouthwashing is a first-person horror game following the dying crew of a shipwrecked space freighter. Who could have known what good ol’ Captain Curly was capable of? Guess he thought his crew dying alongside him was only right. But some men can’t even kill themselves properly. Maimed, limbless and unable to speak, but alive, Curly is now at the mercy of the crew he has doomed to a slow death. Follow the lives of the crew as they weather starvation, isolation, and each other. People were never your strong suit anyway. The ship will run out of power within six months. Food rations long before that. Pay attention to your surroundings. Avoiding spoilers, this is more Kubrickian psychological horror that is closer to “The Shining” than Paul W.S. Anderson’s “Event Horizon” that most people might expect. Barbie Project Friendship

I bought this game expecting a wacky cosmic horror with people turning into monsters after drinking mouthwash. What I got was a character drama exploring the horror of human depravity and narcissism. Because you don’t need cosmic horror mouthwash to have a person become a monster. Mouthwashing is disgusting, distressing, and infuriating in all the right ways. This is the proper traditional usage of science fiction writing, using the bleak backdrop like a stage to tell a story that could’ve worked regardless of the setting. In fact, this feels like a more graphic version of a Star Trek: TNG episode, albeit perhaps a few of them combined given the writing and concepts here.

Features and System Requirements:

• The game might follow a storyline in which the protagonist navigates through surreal or exaggerated worlds, perhaps symbolizing inner fears, secrets, or challenges in overcoming harmful behaviors or mindsets.
• Depending on the player’s actions and decisions, different endings or story outcomes could be unlocked, adding replayability and depth to the storyline.
• Levels might range from light, comedic scenarios to darker, more complex situations, encouraging players to explore different tactics and approaches.